<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
		>
<channel>
	<title>Comments on: We Need a Holiday</title>
	<atom:link href="http://destination-out.com/?feed=rss2&#038;p=155" rel="self" type="application/rss+xml" />
	<link>http://destination-out.com/?p=155</link>
	<description></description>
	<lastBuildDate>Tue, 07 Sep 2010 10:25:19 -0700</lastBuildDate>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.0</generator>
	<item>
		<title>By: EgadsDVT</title>
		<link>http://destination-out.com/?p=155&#038;cpage=1#comment-93546</link>
		<dc:creator>EgadsDVT</dc:creator>
		<pubDate>Thu, 17 Sep 2009 08:42:34 +0000</pubDate>
		<guid isPermaLink="false">http://destination-out.com/?p=155#comment-93546</guid>
		<description>How about World Saxophone Quartet?  Funky in their DNA, I believe, but especially on the Rhythm &amp; Blues album--cf &quot;For the Love of Money&quot; (and even funkier in live performance.

[oddly enough I was reminded of this by the anti-spam-requirement word, which was &quot;Bluiett&quot;]

Also will note that I once saw Lester Bowie explain the the Art Ensemble of Chicago grew out of weekly jam sessions that also spawned ... Earth Wind &amp; Fire.

Has anyone discussed Miles in this vein?</description>
		<content:encoded><![CDATA[<p>How about World Saxophone Quartet?  Funky in their DNA, I believe, but especially on the Rhythm &amp; Blues album&#8211;cf &#8220;For the Love of Money&#8221; (and even funkier in live performance.</p>
<p>[oddly enough I was reminded of this by the anti-spam-requirement word, which was "Bluiett"]</p>
<p>Also will note that I once saw Lester Bowie explain the the Art Ensemble of Chicago grew out of weekly jam sessions that also spawned &#8230; Earth Wind &amp; Fire.</p>
<p>Has anyone discussed Miles in this vein?</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: platterpacker</title>
		<link>http://destination-out.com/?p=155&#038;cpage=1#comment-56947</link>
		<dc:creator>platterpacker</dc:creator>
		<pubDate>Sat, 08 Dec 2007 00:54:28 +0000</pubDate>
		<guid isPermaLink="false">http://destination-out.com/?p=155#comment-56947</guid>
		<description>The Strata-East and Black Jazz catalogs seemed to stride that line and blur it often. Right now I&#039;m listening to Big Black&#039;s Elements of Now Lp on Uni and it has some seriously funky bits. Oneness of JuJu&#039;s post Strata-East material is a mix of almost commercial sounding funk with definite out tendencies. Also the Human Arts Ensemble material I&#039;ve heard is awesome heavy swinging avant funk. Particularly the Luther Thomas and HAE reissue on Atavistic, Funky Donkey. I also have an Lp fro &#039;81 on Muse called P&#039;nk J&#039;zz by Charles &quot;Bobo&quot; Shaw and the HAE that has a similar funk happening.</description>
		<content:encoded><![CDATA[<p>The Strata-East and Black Jazz catalogs seemed to stride that line and blur it often. Right now I&#8217;m listening to Big Black&#8217;s Elements of Now Lp on Uni and it has some seriously funky bits. Oneness of JuJu&#8217;s post Strata-East material is a mix of almost commercial sounding funk with definite out tendencies. Also the Human Arts Ensemble material I&#8217;ve heard is awesome heavy swinging avant funk. Particularly the Luther Thomas and HAE reissue on Atavistic, Funky Donkey. I also have an Lp fro &#8217;81 on Muse called P&#8217;nk J&#8217;zz by Charles &#8220;Bobo&#8221; Shaw and the HAE that has a similar funk happening.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: krowseye</title>
		<link>http://destination-out.com/?p=155&#038;cpage=1#comment-56130</link>
		<dc:creator>krowseye</dc:creator>
		<pubDate>Sat, 01 Dec 2007 12:03:02 +0000</pubDate>
		<guid isPermaLink="false">http://destination-out.com/?p=155#comment-56130</guid>
		<description>Two somewhat obscure records, re-born in the digital age:

1) The Philadelphia-based group Catalyst, led by tenor Odean Pope released four excellent Jazz-Funk releases in the early 70s on the 32 Jazz label. These have been re-issued on the compilation CD &quot;the Funkiest Band You Never Heard. A couple clunkers in the bunch but fantasic stuff! Available through Amazon

2) Love Animal, drummer Bob Moses answer to the jazz-rock mashups of 1968-1970</description>
		<content:encoded><![CDATA[<p>Two somewhat obscure records, re-born in the digital age:</p>
<p>1) The Philadelphia-based group Catalyst, led by tenor Odean Pope released four excellent Jazz-Funk releases in the early 70s on the 32 Jazz label. These have been re-issued on the compilation CD &#8220;the Funkiest Band You Never Heard. A couple clunkers in the bunch but fantasic stuff! Available through Amazon</p>
<p>2) Love Animal, drummer Bob Moses answer to the jazz-rock mashups of 1968-1970</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: djll</title>
		<link>http://destination-out.com/?p=155&#038;cpage=1#comment-56080</link>
		<dc:creator>djll</dc:creator>
		<pubDate>Sat, 01 Dec 2007 08:12:27 +0000</pubDate>
		<guid isPermaLink="false">http://destination-out.com/?p=155#comment-56080</guid>
		<description>btw -- the &quot;Willie Nelson&quot; Miles named his tune after was a country music singer -  songwriter, not the presidential candidate.</description>
		<content:encoded><![CDATA[<p>btw &#8212; the &#8220;Willie Nelson&#8221; Miles named his tune after was a country music singer &#8211;  songwriter, not the presidential candidate.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Yulun</title>
		<link>http://destination-out.com/?p=155&#038;cpage=1#comment-55884</link>
		<dc:creator>Yulun</dc:creator>
		<pubDate>Thu, 29 Nov 2007 16:38:12 +0000</pubDate>
		<guid isPermaLink="false">http://destination-out.com/?p=155#comment-55884</guid>
		<description>How about Carlos Ward - one of the original members of BT Express. &quot;Do it, do it, do it til you&#039;re satisfied!&quot;</description>
		<content:encoded><![CDATA[<p>How about Carlos Ward &#8211; one of the original members of BT Express. &#8220;Do it, do it, do it til you&#8217;re satisfied!&#8221;</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: nickj</title>
		<link>http://destination-out.com/?p=155&#038;cpage=1#comment-55464</link>
		<dc:creator>nickj</dc:creator>
		<pubDate>Wed, 28 Nov 2007 05:10:38 +0000</pubDate>
		<guid isPermaLink="false">http://destination-out.com/?p=155#comment-55464</guid>
		<description>Joe McPhee&#039;s &quot;Snakey Jake,&quot; of course.

And the two Bayete Todd Cochran albums.  His playing on those, esp his second album is waaay more squonked than those tinkly keys on &quot;Yebo.&quot;  But it&#039;s still a cool surprise to see him on the same track as the 74-75 Miles band.</description>
		<content:encoded><![CDATA[<p>Joe McPhee&#8217;s &#8220;Snakey Jake,&#8221; of course.</p>
<p>And the two Bayete Todd Cochran albums.  His playing on those, esp his second album is waaay more squonked than those tinkly keys on &#8220;Yebo.&#8221;  But it&#8217;s still a cool surprise to see him on the same track as the 74-75 Miles band.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Charles</title>
		<link>http://destination-out.com/?p=155&#038;cpage=1#comment-55454</link>
		<dc:creator>Charles</dc:creator>
		<pubDate>Wed, 28 Nov 2007 04:02:00 +0000</pubDate>
		<guid isPermaLink="false">http://destination-out.com/?p=155#comment-55454</guid>
		<description>Speaking of Vernon Reid, Jamaaladeen Tacuma and Calvin Weston: the three of them together are on a new cd coming out from Thirsty Ear called free form funky frÄ?qs which is sort of up this alley.
http://www.thirstyear.com/
The label has lots of interesting pair-ups of hip-hop and free jazzers and what not. I still have no idea why it hasn&#039;t reached the top of the pops yet.</description>
		<content:encoded><![CDATA[<p>Speaking of Vernon Reid, Jamaaladeen Tacuma and Calvin Weston: the three of them together are on a new cd coming out from Thirsty Ear called free form funky frÄ?qs which is sort of up this alley.<br />
<a href="http://www.thirstyear.com/" rel="nofollow">http://www.thirstyear.com/</a><br />
The label has lots of interesting pair-ups of hip-hop and free jazzers and what not. I still have no idea why it hasn&#8217;t reached the top of the pops yet.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: zukunft</title>
		<link>http://destination-out.com/?p=155&#038;cpage=1#comment-55402</link>
		<dc:creator>zukunft</dc:creator>
		<pubDate>Tue, 27 Nov 2007 23:36:08 +0000</pubDate>
		<guid isPermaLink="false">http://destination-out.com/?p=155#comment-55402</guid>
		<description>Frank Lowe - &quot;Chu&#039;s Blues&quot; from &quot;Fresh&quot; (1974). Or AEoC&#039;s &quot;Theme De Yoyo&quot; from &quot;Les Stances a Sophie&quot; (1970).</description>
		<content:encoded><![CDATA[<p>Frank Lowe &#8211; &#8220;Chu&#8217;s Blues&#8221; from &#8220;Fresh&#8221; (1974). Or AEoC&#8217;s &#8220;Theme De Yoyo&#8221; from &#8220;Les Stances a Sophie&#8221; (1970).</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: djll</title>
		<link>http://destination-out.com/?p=155&#038;cpage=1#comment-55277</link>
		<dc:creator>djll</dc:creator>
		<pubDate>Tue, 27 Nov 2007 20:21:52 +0000</pubDate>
		<guid isPermaLink="false">http://destination-out.com/?p=155#comment-55277</guid>
		<description>Supposedly Lester Bowie is on some of (his wife) Fontella Bass&#039; soul records... and arranged, I believe, too. Haven&#039;t heard those &#039;cept Rescue Me.

ca. 1981 I saw &quot;James White and the Blacks&quot; which was really James Chance backed by Defunkt, and it was killer. I remember wishing the front man would shut the fuck up and just let Joe and his crew take it.

Material&#039;s &quot;Memory Serves&quot; is one of my favorite records from the early 1980s. As is &quot;Are You Glad To Be In America?&quot; by James Blood Ulmer. Surprised he&#039;s not mentioned yet in this thread, or did I miss it?</description>
		<content:encoded><![CDATA[<p>Supposedly Lester Bowie is on some of (his wife) Fontella Bass&#8217; soul records&#8230; and arranged, I believe, too. Haven&#8217;t heard those &#8216;cept Rescue Me.</p>
<p>ca. 1981 I saw &#8220;James White and the Blacks&#8221; which was really James Chance backed by Defunkt, and it was killer. I remember wishing the front man would shut the fuck up and just let Joe and his crew take it.</p>
<p>Material&#8217;s &#8220;Memory Serves&#8221; is one of my favorite records from the early 1980s. As is &#8220;Are You Glad To Be In America?&#8221; by James Blood Ulmer. Surprised he&#8217;s not mentioned yet in this thread, or did I miss it?</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: godoggo</title>
		<link>http://destination-out.com/?p=155&#038;cpage=1#comment-55256</link>
		<dc:creator>godoggo</dc:creator>
		<pubDate>Tue, 27 Nov 2007 17:12:23 +0000</pubDate>
		<guid isPermaLink="false">http://destination-out.com/?p=155#comment-55256</guid>
		<description>Well, for the avant-to-mersh  transition, there&#039;s Vernon Reid. 

I love Bootsy, and whenever anybody mentions him, I always (you can look it up!) note that he did a tune with Carla Bley on the old Night Music show.</description>
		<content:encoded><![CDATA[<p>Well, for the avant-to-mersh  transition, there&#8217;s Vernon Reid. </p>
<p>I love Bootsy, and whenever anybody mentions him, I always (you can look it up!) note that he did a tune with Carla Bley on the old Night Music show.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: charles</title>
		<link>http://destination-out.com/?p=155&#038;cpage=1#comment-55171</link>
		<dc:creator>charles</dc:creator>
		<pubDate>Tue, 27 Nov 2007 06:45:31 +0000</pubDate>
		<guid isPermaLink="false">http://destination-out.com/?p=155#comment-55171</guid>
		<description>Ummm, there&#039;s a tympani break in the middle the Paul Whiteman tune &quot;There Ain&#039;t No Sweet Man...&quot; that sounds like it is straight out of a De La Soul tune.. oops my time-machine was set in reverse.
I can&#039;t think of anyone who crossed over like Mtume but a lot of folks crossed the other way (from pop to free...like Lester Bowie).
Speaking of AACM, plenty of great funk tunes in the recordings of AECO.
Sun Ra &quot;Perfect Man&quot; from the Singles..woooh..so funky.
Defunkt, led by Joseph Bowie, was like half-way famous for a minute and really funky
and James Chance was sort of funky when covering James Brown and sort of famous.
Derek Bailey with Jamaaladeen Tacuma and Calvin Weston whoah..don&#039;t know why this didn&#039;t soar to the top of the charts.
Jamaaladeen&#039;s 80&#039;s solo records are funky and weird and more popular than most weird music but that&#039;s not saying much.
Oh, Material...Bill Laswell&#039;s deal...has some really funky stuff with lots of free players, Threadgill did some really tweaked arranging of some horn parts on &quot;Cosmic Slop&quot;, a pfunk tune on one of their records.

When I first read the question my first thought was &quot;why not Parliament-Funkadelic or are they not free enough?&quot;  I am (not so) secretly addicted to Booty&#039;s Rubber Band</description>
		<content:encoded><![CDATA[<p>Ummm, there&#8217;s a tympani break in the middle the Paul Whiteman tune &#8220;There Ain&#8217;t No Sweet Man&#8230;&#8221; that sounds like it is straight out of a De La Soul tune.. oops my time-machine was set in reverse.<br />
I can&#8217;t think of anyone who crossed over like Mtume but a lot of folks crossed the other way (from pop to free&#8230;like Lester Bowie).<br />
Speaking of AACM, plenty of great funk tunes in the recordings of AECO.<br />
Sun Ra &#8220;Perfect Man&#8221; from the Singles..woooh..so funky.<br />
Defunkt, led by Joseph Bowie, was like half-way famous for a minute and really funky<br />
and James Chance was sort of funky when covering James Brown and sort of famous.<br />
Derek Bailey with Jamaaladeen Tacuma and Calvin Weston whoah..don&#8217;t know why this didn&#8217;t soar to the top of the charts.<br />
Jamaaladeen&#8217;s 80&#8242;s solo records are funky and weird and more popular than most weird music but that&#8217;s not saying much.<br />
Oh, Material&#8230;Bill Laswell&#8217;s deal&#8230;has some really funky stuff with lots of free players, Threadgill did some really tweaked arranging of some horn parts on &#8220;Cosmic Slop&#8221;, a pfunk tune on one of their records.</p>
<p>When I first read the question my first thought was &#8220;why not Parliament-Funkadelic or are they not free enough?&#8221;  I am (not so) secretly addicted to Booty&#8217;s Rubber Band</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Andrew</title>
		<link>http://destination-out.com/?p=155&#038;cpage=1#comment-55032</link>
		<dc:creator>Andrew</dc:creator>
		<pubDate>Mon, 26 Nov 2007 20:03:51 +0000</pubDate>
		<guid isPermaLink="false">http://destination-out.com/?p=155#comment-55032</guid>
		<description>Alfonse Mouzon?</description>
		<content:encoded><![CDATA[<p>Alfonse Mouzon?</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Sam</title>
		<link>http://destination-out.com/?p=155&#038;cpage=1#comment-54863</link>
		<dc:creator>Sam</dc:creator>
		<pubDate>Mon, 26 Nov 2007 04:55:52 +0000</pubDate>
		<guid isPermaLink="false">http://destination-out.com/?p=155#comment-54863</guid>
		<description>I&#039;m partial to Roscoe Mitchell&#039;s &quot;You Wastin&#039; My Tyme,&quot; from the Black Saint LP &quot;Roscoe Mitchell and the Sound and Space Ensembles&quot; (1984).  Super-funky bass saxophone from Mitchell and contrabass sarrusophone from Gerald Oshita.  Not really a crossover tune, though, so maybe not what you seek.</description>
		<content:encoded><![CDATA[<p>I&#8217;m partial to Roscoe Mitchell&#8217;s &#8220;You Wastin&#8217; My Tyme,&#8221; from the Black Saint LP &#8220;Roscoe Mitchell and the Sound and Space Ensembles&#8221; (1984).  Super-funky bass saxophone from Mitchell and contrabass sarrusophone from Gerald Oshita.  Not really a crossover tune, though, so maybe not what you seek.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: avraamov</title>
		<link>http://destination-out.com/?p=155&#038;cpage=1#comment-54226</link>
		<dc:creator>avraamov</dc:creator>
		<pubDate>Thu, 22 Nov 2007 16:25:50 +0000</pubDate>
		<guid isPermaLink="false">http://destination-out.com/?p=155#comment-54226</guid>
		<description>to my mind &quot;warriors dance - little don&quot; by don pullen, chico freeman, fred hopkins and bobby battle is just about as 50-50 free/funk as you can get (although it&#039;s the jazzier end of the funk leg). zbigniew namizlowski put out some free prog funk on muza. also anatoly vapirov&#039;s leningrad jazz ensemble (eponymous) did some sci-fi inflected jazz funk with some girl-in-a-reverb-chamber vocals to add to the madness.</description>
		<content:encoded><![CDATA[<p>to my mind &#8220;warriors dance &#8211; little don&#8221; by don pullen, chico freeman, fred hopkins and bobby battle is just about as 50-50 free/funk as you can get (although it&#8217;s the jazzier end of the funk leg). zbigniew namizlowski put out some free prog funk on muza. also anatoly vapirov&#8217;s leningrad jazz ensemble (eponymous) did some sci-fi inflected jazz funk with some girl-in-a-reverb-chamber vocals to add to the madness.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: thin</title>
		<link>http://destination-out.com/?p=155&#038;cpage=1#comment-54216</link>
		<dc:creator>thin</dc:creator>
		<pubDate>Thu, 22 Nov 2007 09:54:31 +0000</pubDate>
		<guid isPermaLink="false">http://destination-out.com/?p=155#comment-54216</guid>
		<description>What about Gato Barbieri? 

 The strangest transition, really: from a late coltrane &#039;Impulse&#039; sound, to full on hairy chest medallion CTI smoothness in less than a decade. I kind of hear his Pharoah Sanders tone in a lot of smooth jazz tenor players, even if nothing else owes much to Pharoah. 

Been listening ot Live in New York Chapter 4 by him recently, and it captures the transition point nicely. Opening track has poems in spanish over free form percussion, last track is a smooth bossa with twinkly rhodes

L</description>
		<content:encoded><![CDATA[<p>What about Gato Barbieri? </p>
<p> The strangest transition, really: from a late coltrane &#8216;Impulse&#8217; sound, to full on hairy chest medallion CTI smoothness in less than a decade. I kind of hear his Pharoah Sanders tone in a lot of smooth jazz tenor players, even if nothing else owes much to Pharoah. </p>
<p>Been listening ot Live in New York Chapter 4 by him recently, and it captures the transition point nicely. Opening track has poems in spanish over free form percussion, last track is a smooth bossa with twinkly rhodes</p>
<p>L</p>
]]></content:encoded>
	</item>
</channel>
</rss>
