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	<title>Comments on: WHERE TO BEGIN: The end of our Braxton blogothon</title>
	<atom:link href="http://destination-out.com/?feed=rss2&#038;p=214" rel="self" type="application/rss+xml" />
	<link>http://destination-out.com/?p=214</link>
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		<title>By: Matt Wuethrich</title>
		<link>http://destination-out.com/?p=214&#038;cpage=1#comment-92747</link>
		<dc:creator>Matt Wuethrich</dc:creator>
		<pubDate>Tue, 02 Dec 2008 08:16:35 +0000</pubDate>
		<guid isPermaLink="false">http://destination-out.com/?p=214#comment-92747</guid>
		<description>20 Standards (Quartet) 2003 (Leo): This could open Braxton up to a  lot of people -- tunes we all know getting tribute and transformation.

w/ Max Roach: Two in One – One in Two (hatOLOGY): Expansive, high-level improvisation from two guys with the tradition at their fingertips.

Saxophone Improvisations Series F  (America) : Braxton solo is still the best way to get into his compositional world and understand his many-sided foundation in jazz, improv and 20th century composition.</description>
		<content:encoded><![CDATA[<p>20 Standards (Quartet) 2003 (Leo): This could open Braxton up to a  lot of people &#8212; tunes we all know getting tribute and transformation.</p>
<p>w/ Max Roach: Two in One – One in Two (hatOLOGY): Expansive, high-level improvisation from two guys with the tradition at their fingertips.</p>
<p>Saxophone Improvisations Series F  (America) : Braxton solo is still the best way to get into his compositional world and understand his many-sided foundation in jazz, improv and 20th century composition.</p>
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		<title>By: Jason Guthartz</title>
		<link>http://destination-out.com/?p=214&#038;cpage=1#comment-92694</link>
		<dc:creator>Jason Guthartz</dc:creator>
		<pubDate>Wed, 05 Nov 2008 21:10:38 +0000</pubDate>
		<guid isPermaLink="false">http://destination-out.com/?p=214#comment-92694</guid>
		<description>Fans of &lt;i&gt;Creative Orchestra Music 1976 (Arista)&lt;/i&gt; must track down &lt;i&gt;Creative Orchestra (Köln) 1978 (hatART)&lt;/i&gt;.  Might be easier said than done, however, as it&#039;s been OOP for a while and doesn&#039;t (yet) appear in the hatOLOGY reissue queue.  (Thankfully, &lt;i&gt;Willisau (Quartet) 1991&lt;/i&gt; is in queue.)</description>
		<content:encoded><![CDATA[<p>Fans of <i>Creative Orchestra Music 1976 (Arista)</i> must track down <i>Creative Orchestra (Köln) 1978 (hatART)</i>.  Might be easier said than done, however, as it&#8217;s been OOP for a while and doesn&#8217;t (yet) appear in the hatOLOGY reissue queue.  (Thankfully, <i>Willisau (Quartet) 1991</i> is in queue.)</p>
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		<title>By: ben</title>
		<link>http://destination-out.com/?p=214&#038;cpage=1#comment-92690</link>
		<dc:creator>ben</dc:creator>
		<pubDate>Wed, 05 Nov 2008 19:54:46 +0000</pubDate>
		<guid isPermaLink="false">http://destination-out.com/?p=214#comment-92690</guid>
		<description>Levels and degrees of light 1967
by muhal richards abrams  
Not a anthony braxton album as leader but as side man (a beautiful wonderful masterpiece)

or
anthony braxton quartet
dortmund 1976</description>
		<content:encoded><![CDATA[<p>Levels and degrees of light 1967<br />
by muhal richards abrams<br />
Not a anthony braxton album as leader but as side man (a beautiful wonderful masterpiece)</p>
<p>or<br />
anthony braxton quartet<br />
dortmund 1976</p>
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		<title>By: Andrew Sherman</title>
		<link>http://destination-out.com/?p=214&#038;cpage=1#comment-92688</link>
		<dc:creator>Andrew Sherman</dc:creator>
		<pubDate>Wed, 05 Nov 2008 17:18:31 +0000</pubDate>
		<guid isPermaLink="false">http://destination-out.com/?p=214#comment-92688</guid>
		<description>Thanks for the Braxton posts. It has got me listening to him again and you can&#039;t ask for more. For those wanting cheap legal downloads amazon.com has one of the 40 minute tracks from Coventry 1985 for $0.99.  As to what got me hooked on Braxton it was, like others, Creative Orchestra Music ‘76. I wish I could buy it (again) without having to buy the big box.</description>
		<content:encoded><![CDATA[<p>Thanks for the Braxton posts. It has got me listening to him again and you can&#8217;t ask for more. For those wanting cheap legal downloads amazon.com has one of the 40 minute tracks from Coventry 1985 for $0.99.  As to what got me hooked on Braxton it was, like others, Creative Orchestra Music ‘76. I wish I could buy it (again) without having to buy the big box.</p>
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		<title>By: bill</title>
		<link>http://destination-out.com/?p=214&#038;cpage=1#comment-92685</link>
		<dc:creator>bill</dc:creator>
		<pubDate>Tue, 04 Nov 2008 18:33:54 +0000</pubDate>
		<guid isPermaLink="false">http://destination-out.com/?p=214#comment-92685</guid>
		<description>Quartet (Santa Cruz) 1993 (hat ART)

The Aggregate-Braxton w/ROVA (sound aspects)

Wesleyan (12 Altosolos) 1992 (hat ART)

12+1 tet (Victoriaville) 2007 (Victo)

Best place to start? The Antilles Quartet CD or Braxton/Morris duo;&quot;easy listening&quot;.</description>
		<content:encoded><![CDATA[<p>Quartet (Santa Cruz) 1993 (hat ART)</p>
<p>The Aggregate-Braxton w/ROVA (sound aspects)</p>
<p>Wesleyan (12 Altosolos) 1992 (hat ART)</p>
<p>12+1 tet (Victoriaville) 2007 (Victo)</p>
<p>Best place to start? The Antilles Quartet CD or Braxton/Morris duo;&#8221;easy listening&#8221;.</p>
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		<title>By: David Kennedy</title>
		<link>http://destination-out.com/?p=214&#038;cpage=1#comment-92684</link>
		<dc:creator>David Kennedy</dc:creator>
		<pubDate>Tue, 04 Nov 2008 13:37:28 +0000</pubDate>
		<guid isPermaLink="false">http://destination-out.com/?p=214#comment-92684</guid>
		<description>The latest Braxton tune from the Antilles record reminds me what a great label that was - have these ever been issued on CD? I seem to remember a cracking disk from Joanne Brackeen - perhaps someone could put a tune from that on the site if they have it?</description>
		<content:encoded><![CDATA[<p>The latest Braxton tune from the Antilles record reminds me what a great label that was &#8211; have these ever been issued on CD? I seem to remember a cracking disk from Joanne Brackeen &#8211; perhaps someone could put a tune from that on the site if they have it?</p>
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		<title>By: Sean Singer</title>
		<link>http://destination-out.com/?p=214&#038;cpage=1#comment-92683</link>
		<dc:creator>Sean Singer</dc:creator>
		<pubDate>Mon, 03 Nov 2008 14:52:24 +0000</pubDate>
		<guid isPermaLink="false">http://destination-out.com/?p=214#comment-92683</guid>
		<description>I like the Charlie Parker Project 1993 (HatOLOGY) and Circle--Paris Concert (1972). Eight (+3) Tristano Compositions 1989 for Warne Marsh is also enjoyable.</description>
		<content:encoded><![CDATA[<p>I like the Charlie Parker Project 1993 (HatOLOGY) and Circle&#8211;Paris Concert (1972). Eight (+3) Tristano Compositions 1989 for Warne Marsh is also enjoyable.</p>
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		<title>By: peter breslin</title>
		<link>http://destination-out.com/?p=214&#038;cpage=1#comment-92682</link>
		<dc:creator>peter breslin</dc:creator>
		<pubDate>Mon, 03 Nov 2008 04:55:25 +0000</pubDate>
		<guid isPermaLink="false">http://destination-out.com/?p=214#comment-92682</guid>
		<description>One of the great archways that introduced me to Braxton&#039;s music was Creative Orchestra Music &#039;76, a huge banquet with unbelievable range, musicianship and damned catchy compositions. I still sometimes hear the bass trombone riffs from the jazz-inflected pieces from that album. Another entry way was Braxton&#039;s contrabass clarinet version of Ornithology on the In The Tradition album with Tootie Heath, Tete Montoliu and NHOP. 

It took me several years to get closer to For Trio and a wide variety of other Braxton work. I couldn&#039;t listen to Circle because I had a terrible prejudice against Corea and Altschul. 

This blog-a-thon has been spectacular. I think it adds up to more than two hours of some of the finest music ever made. Many thanks.

PB</description>
		<content:encoded><![CDATA[<p>One of the great archways that introduced me to Braxton&#8217;s music was Creative Orchestra Music &#8217;76, a huge banquet with unbelievable range, musicianship and damned catchy compositions. I still sometimes hear the bass trombone riffs from the jazz-inflected pieces from that album. Another entry way was Braxton&#8217;s contrabass clarinet version of Ornithology on the In The Tradition album with Tootie Heath, Tete Montoliu and NHOP. </p>
<p>It took me several years to get closer to For Trio and a wide variety of other Braxton work. I couldn&#8217;t listen to Circle because I had a terrible prejudice against Corea and Altschul. </p>
<p>This blog-a-thon has been spectacular. I think it adds up to more than two hours of some of the finest music ever made. Many thanks.</p>
<p>PB</p>
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		<title>By: Amateur Reader</title>
		<link>http://destination-out.com/?p=214&#038;cpage=1#comment-92681</link>
		<dc:creator>Amateur Reader</dc:creator>
		<pubDate>Mon, 03 Nov 2008 04:46:39 +0000</pubDate>
		<guid isPermaLink="false">http://destination-out.com/?p=214#comment-92681</guid>
		<description>&lt;em&gt;20 Standards (Quartet) 2003&lt;/em&gt; on Leo was instantly accessible for me. 4 CDs of beautiful playing and original interpretations. Of course, these aren&#039;t Braxton compositions! 

Thanks for the work on the Braxton posts - what pleasurable readng,and listening.</description>
		<content:encoded><![CDATA[<p><em>20 Standards (Quartet) 2003</em> on Leo was instantly accessible for me. 4 CDs of beautiful playing and original interpretations. Of course, these aren&#8217;t Braxton compositions! </p>
<p>Thanks for the work on the Braxton posts &#8211; what pleasurable readng,and listening.</p>
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