
ALTO 1
Kaoru Abe
Solo 1972
PSF : 1994
KA, alto sax.
Dear C,
No doubt you’ve heard how blisteringly hot it is here. The asphalt bubbles up from the streets and sticks to your soles. Our air conditioner blew a fuse, so we sweat it out in the apartment with fans aimed at our foreheads. There’s noise in the city, but lately it isn’t loud enough. There’s nothing that can match the insistent scorch of the thermometer. We’re slowly losing our minds, baby.
You remember that scene in Hal Hartley’s Simple Men? It’s about an hour into the movie and everything has been typically deadpan and soft-spoken. Then Martin Donovan’s character rushes into the frame, kicks his hat, and screams “I CAN’T STAND THE QUIET!!!” Cue the opening chords of “Kool Thing” and the characters begin a choreographed shimmy to that Sonic Youth nugget. You smartly pointed out the dance was pilfered from Godard’s Band of Outsiders. But originality be damned, that moment is exactly what we need right now.
It feels like even the web site has been too sedate lately. When not broken. We need a jolt of pure noise to shake things up. This morning, after a series of bracingly cold showers, we reached for our trusty Kaoru Abe records, looking for some face-melting saxophone fury that could temporarily erase the heat from our fevered minds. We picked a solo show from November 4th, 1972 — smack dab in the center of his prime fire-breathing years.
But damn if even Kaoru proved too quiet. The album’s first track finds him in an almost contemplative mood. It’s startlingly lovely and lucid, but he’s not trying to destroy the universe from the inside of his horn. He patiently builds to a section of piercing lyricism, then becomes a gonzo one-man marching band. Just when we’re ready to follow him into the streets, he shifts gears and offers some unabashed beauty.
But beauty is not what we need. We crave something so loud and immersive that it will obliterate our unpleasant surroundings. You once hipped us to that great riddle of a last line from Annie Dillard’s An American Childhood: “In New Orleans — if you could get to New Orleans — would the music be loud enough?”
We now know the answer. It can never be loud enough. Kaoru Abe sounds like Ben Webster to our sadly unpopped ear drums. Please send suggestions for something terrifying that will destroy our hearing and what’s left of our fragile egg-shell minds.
Much love,
The boys from D:O
11 Responses to We Can’t Stand the Quiet
Brent
July 21st, 2010 at 2:05 pm
If you want to stick with the Abe, you oughta check out his duet with Takayanagi, *Mass Projection* (available on the Inconstant Sol blog). (Make sure you don’t pick up *Gradually Projection* accidentally.) *MP* is insanely blistering throughout and will not let you down if loudness is what you’re after.
cherise
July 21st, 2010 at 2:06 pm
Hey guys! For superfine mind-destroying jazz-noise I recommend putting on Dave Burrell’s “Echo” stat.
Curious what others have to recommend in this department.
Peces
July 21st, 2010 at 2:35 pm
It’s not jazz-related, but Chinese guitarist Li Jianhong’s “San Sheng Shi” is amazingly loud and awesome. Haven’t heard the whole 51-minute piece yet, but there’s an excellent 16-minute excerpt from it archived at Motel De Moka.
http://www.moteldemoka.com/2008/03/06/dark-stars-in-the-dazzling-sky-pt9/
Clifford
July 21st, 2010 at 3:24 pm
I would second the Mass Projection stuff. Takayanagi has, of course, recorded multiple versions of it with different bands. The take from the Inspiration & Power set is pretty over the top, though sans saxophones (try one from Axis: Another Revolvable Thing for breath/screaming intensity).
Or just play Silva’s “Seasons” really loud.
robert
July 21st, 2010 at 4:14 pm
Definitely agreed w/ Brent on ‘Mass Projection.’ The following is self-indulgent, but here are ten album/track combos in no particular order…a little heavy on sax, Zorn specifically (further reflection upon a list of ten would probably yield a more even distribution of artists/instruments).
1) Otomo Yoshihide – Monochrome Otomo – 02 – Turntable Feedback I
2) John Zorn – 50th Birthday Celebration, Vol. 9: The Classic Guide to Strategy, Vol. 3 (what a title!) – 01 – The Fire Book: One
3) Merzbow – 1930 – 02 – 1930
4) Ned Rothenerg – The Lumina Recordings – 11 – Kakeai (feat. John Zorn)
5) John Zorn – 50th Birthday Celebration, Vol. 7: Hemophiliac (w/ Mike Patton/Ikue Mori – any track)
6) Evan Parker – Conic Sections – 01 – Conic Section 1
7) Sonore (Vandermark/Brotzmann/Gustafsson) – No One Ever Works Alone – 01 – Elements of Refusal
8) Arthur Doyle – Alabama Feeling – 01 – November 8th or 9th – I Can’t Remember When
9) Brotzmann/Nilssen-Love/Gustafsson – Fat is Gone – 01 – Bullets Through Rain
10) Weasel Walter – Revolt Music – any track
and of course, two that wouldn’t fit in the ten
11) Cline/Shoup/Corsano – Immolation Immersion – 01, 02 – Lake of Fire Memories, Immolation Immersion
12) Anthony Braxton/Wolf Eyes – Black Vomit – 02 – Rationed Rot
(bonus: in the (live) track intro, one of the Wolf Eyes asks Braxton “Anthony – whaddya wanna hear man?! ‘Leper War’ or ‘Black Vomit?!’”
“BLACK VOMIT!” is his unhesitating, jubilant rejoinder.)
Hopefully, at least one of these is available for your incus-inundating pleasure.
johnp
July 21st, 2010 at 7:12 pm
When in the mood for a mind melt, i find the best solution is Keiji Haino’s The Book of “Eternity Set Aflame.” While mostly a solo guitar record, about 30 or so minutes in he begins singing. At this moment, the true is revealed.
On the more jazz side, Cecil’s “Nailed” has some moments where Evan Parker sounds like a pack of wild dogs. Never fails to elicit a smile.
dok
July 21st, 2010 at 7:16 pm
Let me second that recommendation for “San Sheng Shi”. It is fine stuff, but I wouldn’t necessarily use it for shifting earwax. For that, you need something a bit stronger, a bit more raw. You need a bit more gravel. Basically, what you need is some early Borbetomagus.
Charlie Hack
July 26th, 2010 at 4:55 pm
Swedish band Meshuggah’s record Chaosphere out-thunders/-flames just about anything. Drummer Tomas Haake is out of this sphere. Dig “New Millennium Cyanide Christ.”
You gotta respect a band that’s that tight AND is ALWAYS turned up to 11.
Mark
July 27th, 2010 at 5:48 am
I dunno, Machine Gun still does it for me. Maybe Hijokaidan if you can find some: their “Planeticket” from Dry Lungs V is here.
Michael Campbell
July 28th, 2010 at 3:53 pm
“Nailed”, indeed! Great to see Merzbow’s 1930 getting some love, too. I haven’t heard it in a while, but what about one of those early Globe Unity Orchestra records? Those were pretty crazy
matt w
July 30th, 2010 at 8:33 pm
(Make sure you don’t pick up *Gradually Projection* accidentally.)
I agree, but only from the perspective of getting your noise fix — “Gradually” is great, just not that noisy.
Mats Gustafsson’s “The Education of Lars Jerry” makes a pretty good racket at least at the beginning.