The John Betsch Society
Earth Blossom
Strata East : 1974

JB, drums, percussion; Billy Puett, saxophone and flute; Bob Holmes, piano, electric piano, percussion; Jim Bridges, guitar; Ed “Lump” Williams, bass; Phil Royster, congas, percussion.

A lost classic of spiritual jazz, we’d wager that Earth Blossom is more familiar to groove fiends than free jazz aficionados. But fans of adventurous jazz – of whatever stripe – need to know this record. It’s brimming with surging horns, percolating polyrhythms, soulful guitar lines, and just enough ragged edges to keep things honest. The textures sometimes even verge on the kozmigroov and psychedelic.

The album sports some wilder tunes than “Ode to Ethiopia,” including ones with pure skronk and percussive piano, not to mention a fine tribute to Sun Ra. But we chose “Ethiopia” to kick off our first musical post of the New Year because of its infectious melody, its graceful grooves, its effortless lightness and sure sense of uplift. Something we figure everyone  could use as we all turn another fraught page of the calendar.

After recording this album, John Betsch moved to New York City and went on to play with such luminaries as Archie Shepp, Marion Brown, Max Roach, Abdullah Ibrahim, Jeanne Lee, and Henry Threadgill. But this neglected masterpiece remains his true testament. When they rewrite the cannon of 1970s jazz, the enduring pleasures of Earth Blossom will finally stake their claim.

For more info on this and other albums released by the mighty Strata East label, be sure to visit the Strata-East Fan Club.

If you’re not hip to the treasure trove of amazing Ethiopian jazz, funk, and groove music that’s been released in recent years, do yourself a favor and check out the Ethiopiques reissue series. We highly recommend Volume 4 and Volume 8, but there’s no shortage of essential music here.

For a riveting account of events in Ethiopia during the 1970s, Rsyzard Kapuscinski’s The Emperor offers a series of revealing first person accounts from those who served directly under Haile Selassie. It’s a surreal history that reads like a Gabriel Garcia Marquez novel.

If you haven’t already, join us on Facebook. We’ll be hosting additional rare tunes, contests, and early announcements over there!


What’re some of your favorite adventurous jazz albums that aren’t afraid to get funky?

Discussion7 Comments Category John Betsch Society Tags , , , , , , , , ,

7 Responses to Ethiopiques

  1. Yes! Love this stuff.

    Volume 4 and 8 of the Ethiopiques Series are the classics for sure. Volume 21, Ethiopia Song is an amazing collection of solo piano music by Emahoy Tsegue-Maryam Guebrou. The first track, Homeless Wanderer has been my ringtone since I found the record—not that that’s a judge of a great record. Highly recommended.

  2. You are so right about John Betsch’s marvelous Earth Blossom. The performance of Open Pastures fills me with such an overwhelming feeling of joy. Love made audible.

  3. Gentlemen,
    It’s been many years since I heard this – it was one in a box of Lps I owned that got flooded in our basement. We had no choice but to discard the album sleeves but no one is quite sure where the records ended up.
    Anyway, very fine music to brighten the day – thanks as always.

  4. My Favorite adventurous jazz that’s not afraid to get funky: Sun Ra’s “Strange Celestial Worlds” (1980), Marion Brown’s “La Placita” on Live in Japan (1979), Art Ensemble of Chicago’s “Charlie M” (1980), Peter Brötzmann’s “Aziz” on The Chicago Octet/ Tentet (1997), and Miles Davis “What I Say” on Live/Evil (1971).

  5. @Jim – Picked up Ethiopiques 21 a few months back and totally agree that it’s wonderful. Thanks for calling that out. You have other volumes you particularly like in that series?

    @Sean – Great selections! thanks for sharing those.

  6. Great find! Always wondered about this record. Just a quick note to help fill out Betsch’s bio. John now lives in France and has been a mainstay of the creative music scene in Paris for about 30 years (rough estimate). He and Jean-Jacques Avenel were Steve Lacy’s longtime rhythm section, up until his untimely passing. I believe he did quite a bit of performing with Mal Waldron, among many others based in Europe, as well. Had the great pleasure of performing with John in February 2010 in Paris as part of an ensemble led by flautist Michel Edelin, which also included Nicole Mitchell, and Jean-Jacques Avenel.

  7. @ Steve – Thanks for the info and update about Betsch! Great to hear the latest about him.

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